Precipice (2024)
Niamh Kierans’s sophomore album, Precipice, is eight songs capturing an uncertain sense of self, the joy and pain of love, and an awe of the human experience. From smooth guitar plucking and gentle synths to sweeping, powerful ballads, Precipice encompasses not only a robust set of styles, but five years of Kierans’s writing.
Self and Destruction (2021)
Kierans released her debut album, Self and Destruction, when she was just 17. Each of the 10 songs takes a turn examining a different relationship, remarking on the unique ways people hurt themselves and each other. From a rewriting of Dolly Parton’s “Jolene" in “Unseen,” to the slow death of a once-loving relationship described in “Headache,” to an ode to a historic medieval princess in “Cardinals,” the record demonstrates the breadth of Kierans’s lyrical composition and vocal performance.
Our Own Voyeurs (2020)
Initially inspired by Margaret Atwood’s writings on the male gaze (a quotation from which became the EP’s title), Our Own Voyeurs demonstrates Kierans’s talent for distilling complex social commentary and personal emotions with raw and poignant lyricism.